Sarah Kennedy - Pyragraph

How to Keep Doing Comedy When You Can’t Get Up On Stage

Sarah Kennedy
| New York City, NY, USA | | 0 Comments

Can’t get to the mic? Can’t make it out to shows? You still wanna be a comic? Well then, my friend, it’s time to pitch in and help out the comedy community.

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pixabay - pyragraph

To Make Better Music, It’s All Dynamics

Jeremy Shattuck
| Albuquerque, NM, US | | 0 Comments

Having a song roughly the same volume or intensity is a formula for disaster. You’re thinking, “Oh no, not me. I always make songs with interesting progressions, builds and changes in volume. I ain’t no noob.”

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Dear Little Bobby - Pyragraph

Dear Little Bobby: Enough Effects Already

Little Bobby Tucker
| Albuquerque, NM, US | | 0 Comments

When my band would get together for practice and our guitar player would use more than one pedal we would point and laugh and say things like, “Get a load of him! He thinks he’s in Oktober People!”

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Creative Career Coaching

slam poets - Adam Rubinstein -pyragraph

Four Hurdles of a Professional Photographer

Adam Rubinstein
| | 0 Comments

Photography, by definition, requires gear. Certain types of photography, such as low-light events or high-value real estate, require expensive gear. You canʼt pay for your expensive gear with retweets and Facebook shares.

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night of the living dead - pyragraph

Dear Rich: Can I Make ‘Night of the Living Dead’ Action Figures?

Rich Stim
| | 0 Comments

Normally you would need two permissions to sell movie action figures: permission from the copyright owner of the movie, and permission from the actor (referred to as publicity rights). Because Night of the Living Dead is public domain, there is no copyright owner from whom you’ll need permission. However, you would need permission from the actors.

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Reading picture books - Pyragraph

How Picture Books Make Us Better People

Jed Alexander
| Davis, CA, US | | 0 Comments

Babar the elephant and Curious George are old friends. They were some of the first people we grew to know. They might not be real people, but they were some of our first ideas of people.

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fat faded fuck face - die antwoord - pyragraph

Music Video Showcase: ‘Fat Faded Fuck Face’ by Die Antwoord

Jeremy Shattuck
| Albuquerque, NM, US | | 0 Comments

The song’s lyrics follow the long tradition of smack talkers and lyrical braggarts, touching on important issues like partying, hangovers, haters and stupid fans. Just some of the classics, really.

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Dear Little Bobby - Pyragraph

Dear Little Bobby: ‘Bad Touch Uncle’ Creeps Me Out

Little Bobby Tucker
| Albuquerque, NM, US | | 0 Comments

If you are getting a “very creepy vibe” off this guy, if other women are saying he makes them “very uncomfortable,” if you are “scared for” your aunt, then what the hell are you waiting for? The Rapture? I would suggest that you immediately intervene.

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Juli Hendren - Tricklock - Pyragraph

How the Travel Ban Impacts Our International Theater Festival, Artists and Humanity

Guest Blogger
| | 0 Comments

Guest Blogger Juli Hendren: “Artists are not insignificant trinkets that people can take or leave. Artists reflect the world. They tell our stories. They bring us together. They show us what we have done and what we can do. They empower us. They teach us.”

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Keshet Salon for Women and Creativity - Pyragraph

Watering the Seeds of Failure

Guest Blogger
| | 0 Comments

Keshet’s Carolyn Tobias asks: How do we water the seeds of failure to have that pain actually produce something valuable? Learning is a verb; an action; a continual process. Learning from failure is actively choosing to see each failure as the beginning, and not the end.

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Anita Ritenour - The Wreck Of The Edmund Peepsgerald - Pyragraph

Dear Rich: Can I Stream My Cover Song?

Rich Stim
| | 0 Comments

We’re not sure imitation is always flattery, but we are pretty sure it’s not infringement. Copyright doesn’t recognize style, vibe, feel, or genre, only original content (though that rule has been tested recently).

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Danila Rumold - Pyragraph

The Art of Listening and Not Knowing

Danila Rumold
| Albuquerque, NM, US | | 0 Comments

Instead of interpreting everything in order to feel like I have a grasp on what is going on, I am actively sitting back and looking and listening in the studio and playing with space. I’m learning, or unlearning—whichever way it goes. Isn’t this how we evolve as humans, artists and a nation?

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