Design

If you are new to craft shows, or even if you have been doing it a while, consider these elements to help improve your displays.

Host Peri Pakroo talks with Billy McCall about his new book, Four-Year Depression, shitshow politics, and using art to build new concepts and new realities.

We are hoping that we can recover these fumbles and reach a new generation of women. For this reason, we also took the time to modernize language and thinking about gender within the book, to include nonbinary and transgender people.

“It was kind of surreal and didn’t sink in how crazy and legendary the room was when we were there. It almost doesn’t feel like OMG I was in the same room as Elvis and Johnny Cash; there is some kind of vibe in the room that I can’t describe.”

John Fugelsang is in Albuquerque to perform “Unpresidented: The true story of a comedian trying to raise a toddler while his country was electing one” and we were lucky enough to get him into the Pyragraph LIVE studio (a.k.a. my office) to talk about comedy, politics, religion, and how he’s pulled all those elements and more into his unique creative career. 

All I wanted to do was make a cigar box-style guitar, and in this town there were no cigar boxes to be found. The next best box to find for free were the torobako, the crates used to ship sanma from northern Japan to southern ports.

There are so many things in our lives that might be considered “incurable” or terrifying, why not work with them?

I loved SOMOS because it wasn’t just aimed at adults. I love downtown, but I’m in middle school, and downtown there are a lot of bars and not a lot for kids. SOMOS had both. They had a beer garden for adults and fun installations and booths for both adults and kids!

Dear Rich: I want to know if it is considered sampling when you record sound coming from a synthesizer that is playing electronic note data stored on a memory chip. Technically when you play an NES game (’80s video game system), the music that is playing is not pre-recorded. It is actually played “live” from musical note data on the game cartridge (gameplay triggers a MIDI pattern) in the console into the internal synthesizer.

It is a both an opportunity and a personal commitment to use my place as an artist to make art that is both visually pleasing while telling important stories about my cultural experience as a Chicana, as an environmental feminist, and as a member of the human race. My existence is my resistance.

Welcome to the inaugural Coffee + Creatives Job Listings! We are pleased to bring you the latest in gigs, jobs, and funding for creatives around the world. Jobs and funding opportunities included in our listings tend to be flexible and/or remote, though we will include some from our home state of New Mexico.

Zine fests make small cracks in the foundation of authoritarian, nationalist, dictatorial power that hides under progress of the digital age.

I have observed that many people dislike insects but when formed into patterns, a kind of ordered control is established. It puts people at ease. Isn’t that what man has always sought to do? We want to control Mother Nature.

The works of both Rath and Angus have been shaped by direct interactions with nature and science, a desire to understand insects more deeply and a commitment to advance the discourses around current dangers facing the natural world.

Dear Rich: I built my business on printing my designs on fabric and making stuff. Now there’s a handy service (VIDA) that makes stuff with your uploaded design and sells it to others. I am just leery of any “catches.” Can you look at the licensing agreement?

For the most part, I’ve had the good fortune of doing work that doesn’t compromise my beliefs. But a few years ago I wasn’t so lucky.