Music

Host Peri Pakroo talks with Billy McCall about his new book, Four-Year Depression, shitshow politics, and using art to build new concepts and new realities.

“It was kind of surreal and didn’t sink in how crazy and legendary the room was when we were there. It almost doesn’t feel like OMG I was in the same room as Elvis and Johnny Cash; there is some kind of vibe in the room that I can’t describe.”

John Fugelsang is in Albuquerque to perform “Unpresidented: The true story of a comedian trying to raise a toddler while his country was electing one” and we were lucky enough to get him into the Pyragraph LIVE studio (a.k.a. my office) to talk about comedy, politics, religion, and how he’s pulled all those elements and more into his unique creative career. 

All I wanted to do was make a cigar box-style guitar, and in this town there were no cigar boxes to be found. The next best box to find for free were the torobako, the crates used to ship sanma from northern Japan to southern ports.

I loved SOMOS because it wasn’t just aimed at adults. I love downtown, but I’m in middle school, and downtown there are a lot of bars and not a lot for kids. SOMOS had both. They had a beer garden for adults and fun installations and booths for both adults and kids!

Dear Rich: I want to know if it is considered sampling when you record sound coming from a synthesizer that is playing electronic note data stored on a memory chip. Technically when you play an NES game (’80s video game system), the music that is playing is not pre-recorded. It is actually played “live” from musical note data on the game cartridge (gameplay triggers a MIDI pattern) in the console into the internal synthesizer.

Welcome to the inaugural Coffee + Creatives Job Listings! We are pleased to bring you the latest in gigs, jobs, and funding for creatives around the world. Jobs and funding opportunities included in our listings tend to be flexible and/or remote, though we will include some from our home state of New Mexico.

I asked all the members of Chicharra, a band I’m in, to come up with three questions for another player. And it’s like they’ve been giving interviews their whole lives. Their curiosity about the nuances of how music is made, how the other people in our band-fam experience practice and performance, was so spot-on. I loved hearing them talk shop.

“The extreme end of showbiz would be something like American Idol where people are trying to fit into this mold, have to athletically win this competition by making themselves as appealing as possible to a very broad denominator and it’s very bizarre and it doesn’t have anything to do with feelings.”

As long as I’ve been a fan, Martin has said the same thing: “If you choose a path to fall back on, you will.” Martin is balls to the wall.

For the most part, I’ve had the good fortune of doing work that doesn’t compromise my beliefs. But a few years ago I wasn’t so lucky.

Musicians and the music they create are critical to halting further attacks on net neutrality. When net neutrality protections were at risk of being destroyed in the past, musicians came out in large numbers during a multi-year campaign to save it. And we are needed this time around too.

Trust me, filling a ticketed show is hard work. Getting 30 people out to a gig on a Friday night in a large metropolitan city is like pulling teeth! That’s why bands split bills. If you’re at a place where you can fill the room, you probably could use a booking agent.

Inevitably someone is going to compare your work to someone else’s. And when someone says, “This reminded me of your work” it’s hard to know what they mean.

If your inbox is overflowing with booking requests and media opportunities, and you simply cannot handle the workload on your own, you need a manager.

Far too often in this country we throw things away that would still be wanted by someone else. Everything from perfectly edible food which places like Whole Foods throw away because the bananas are “a little too yellow” to the unwanted pets that get thrown away by fools who get a dog without wanting the responsibility of its care.