Submittable, you remind me of bones bleached against the gypsum sands of New Mexico, where time and wind mark the passing of the hours, days, weeks, months since I submitted my creative nonfiction personal essay to The Gettysburg Review.

“A lot of people don’t understand that you can’t just pull out an old Casio keyboard and start making a beat and think that’s gonna compete,” says sync music producer Nick Phelps. “I wanna give people a fighting chance in the sync world. I wanna give people permission to stand out in their own way.”

“The biggest issue is that in creative industries,” says freelance writer Phoebe Mogharei, “deadlines are very variable.” The New York Minute is a recurring column by Eva Avenue interviewing creative professionals in New York City.

How heavy I felt when one of my professors noted that I hadn’t applied anywhere else. Why had I only applied to SUNY Purchase? Didn’t I aspire to be an actor? And the truth is, no. I aspired to keep existing.

In There Must Be Other Names For The River, we ask ourselves about our personal and structural relationships with the drying river that today we call the Rio Grande. In this sound performance, listeners hear the voices of six singers channeling the river. Each singer represents a point where streamflow data have been collected from the 1970s to now and into possible futures.

Being an artist means putting yourself out there. The deeper and more real your expressions are, the more you set yourself up for criticism. Sometimes it’s tough to sift through which criticism to ignore, and which to pay attention to.

Billy McCall interviews Charissa Lucille about closing, then reopening Wasted Ink Zine Distro: “I have emotional whiplash from feeling so down — and then feeling so extremely excited and hopeful. So many community members stepped in and helped.”

Let me start by acknowledging the fact that I never thought I would be this upset by an angry mob storming the Capitol. I mean, isn’t that the ultimate American dream? Name one person in this country who has never at some point in their life thought to themselves, “Ya know what we oughta do? We oughta go down and storm the Capitol. Show those lawmakers who’s boss.”

Southwestness publisher/editor Samatha Anne Carrillo shares the worldview and inspirations that drive her work: “In the real world, facts exist and science is real. … Since Southwestness is my own site, I have the freedom to report on our corner of the world based on my own perception of the world. There’s no question that this perception is still evolving and thank goodness for that!”

Understanding social acceptability is important when creating art in the public sphere, such as political signs, street art and graffiti. Every time and place has its own set of rules.

Our current background image is “Penrose Substitution” by Jared Tarbell. Tarbell is a generative artist who explores the life-like emergent qualities of generative systems.

Entrepreneur Lee Francis is the “Indiginerd” mastermind behind Indigenous Comic Con (aka IndigiPop X) and Red Planet Books & Comics. Dr. Francis dishes on cultivating Indiginerds, supporting community and how his niche bookstore thrives in the retail ocean.