If you are new to craft shows, or even if you have been doing it a while, consider these elements to help improve your displays.

Host Peri Pakroo talks with Billy McCall about his new book, Four-Year Depression, shitshow politics, and using art to build new concepts and new realities.

We believe we can leverage our social capital to inspire allies to support our vision for a future where the lives of Native women are no longer at risk and we have no more stolen sisters.

“It was kind of surreal and didn’t sink in how crazy and legendary the room was when we were there. It almost doesn’t feel like OMG I was in the same room as Elvis and Johnny Cash; there is some kind of vibe in the room that I can’t describe.”

I started to get really pissed at so many things about being told what I was allowed and not allowed to do in dance, and I pretty much exploded from anger and it was like “Fuck this situation, I’m going to do whatever the fuck I want.”

John Fugelsang is in Albuquerque to perform “Unpresidented: The true story of a comedian trying to raise a toddler while his country was electing one” and we were lucky enough to get him into the Pyragraph LIVE studio (a.k.a. my office) to talk about comedy, politics, religion, and how he’s pulled all those elements and more into his unique creative career. 

All I wanted to do was make a cigar box-style guitar, and in this town there were no cigar boxes to be found. The next best box to find for free were the torobako, the crates used to ship sanma from northern Japan to southern ports.

There are so many things in our lives that might be considered “incurable” or terrifying, why not work with them?

I loved SOMOS because it wasn’t just aimed at adults. I love downtown, but I’m in middle school, and downtown there are a lot of bars and not a lot for kids. SOMOS had both. They had a beer garden for adults and fun installations and booths for both adults and kids!

I’m recording stories from my life that I find most entertaining and maybe it’s at the expense of other people but I’m not using anyone’s real name. I am a bit worried how I’m portraying myself and my family reading it ’cause I think they’ll be scandalized or concerned by it.

It is a both an opportunity and a personal commitment to use my place as an artist to make art that is both visually pleasing while telling important stories about my cultural experience as a Chicana, as an environmental feminist, and as a member of the human race. My existence is my resistance.

Welcome to the inaugural Coffee + Creatives Job Listings! We are pleased to bring you the latest in gigs, jobs, and funding for creatives around the world. Jobs and funding opportunities included in our listings tend to be flexible and/or remote, though we will include some from our home state of New Mexico.

I asked all the members of Chicharra, a band I’m in, to come up with three questions for another player. And it’s like they’ve been giving interviews their whole lives. Their curiosity about the nuances of how music is made, how the other people in our band-fam experience practice and performance, was so spot-on. I loved hearing them talk shop.

Zine fests make small cracks in the foundation of authoritarian, nationalist, dictatorial power that hides under progress of the digital age.

I have observed that many people dislike insects but when formed into patterns, a kind of ordered control is established. It puts people at ease. Isn’t that what man has always sought to do? We want to control Mother Nature.

The works of both Rath and Angus have been shaped by direct interactions with nature and science, a desire to understand insects more deeply and a commitment to advance the discourses around current dangers facing the natural world.