Networking

They say it’s who you know—but how you get to know them? These posts share our bloggers’ experiences and insights.

Theater closed - Pyragraph

Artists on Lockdown: Call for Interviews

Many of us are stuck in isolation, unable to share or promote our work in the ways originally planned like tours, festivals, conferences, etc., so I was thinking it might be of help to offer a way to spread the word digitally about what’s happening with your work.

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Alejandro Montoya Marin - Pyragraph

Pyragraph LIVE: Alejandro Montoya Marin

Filmmaker Alejandro Montoya Marin is in the finishing stages of producing his second feature, Millennium Bugs. It was supposed to screen at SXSW, and Antonio was slated to participate on a panel about independent filmmaking — but a nasty pathogen has thwarted his plans.

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John Fugelsang on Pyragraph LIVE - Pyragraph

Pyragraph LIVE: John Fugelsang

John Fugelsang is in Albuquerque to perform “Unpresidented: The true story of a comedian trying to raise a toddler while his country was electing one” and we were lucky enough to get him into the Pyragraph LIVE studio (a.k.a. my office) to talk about comedy, politics, religion, and how he’s pulled all those elements and more into his unique creative career. 

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Performing musicians - Pyragraph

Do I Need a Booking Agent?

Joy Ike, Singer-Songwriter - Pyragraph

Trust me, filling a ticketed show is hard work. Getting 30 people out to a gig on a Friday night in a large metropolitan city is like pulling teeth! That’s why bands split bills. If you’re at a place where you can fill the room, you probably could use a booking agent.

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Dear Little Bobby - Pyragraph

Dear Little Bobby: Playing for Pennies

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I’m a musician trying to decide how much I can afford to spend on instruments, renting a practice space, going on tour, and the rest. Sometimes it gives me anxiety and causes stress between me and my partner. How much is too much to spend on my art?

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Juan and Ayala - Pyragraph

10 Ways to Survive as a Musician in London

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The music industry is not going to end, of course. In fact, I feel positive that it could become the biggest it’s ever been. The demand for music is high. So what needs to be done to get there and how can musicians like me survive in the changing times?

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