Recording

Jeremy Kinter gets mind-molested by Gage and Jeff who answer his Burning Questions about being a two-piece in Albuquerque.

If I feel this strongly about albums, there’s got to be other musicians out there that feel the same way.

You know that shiny piece of crap on the radio that’s so perfect it’s soulless and devoid of any human connection? Don’t make that record.

Guest blogger Erik M. of Inner Portal Studio shares his advice on how to create a stellar mixdown from scratch.

This can be confusing. For example, copyright for the 1961 public domain film One-Eyed Jacks was not renewed, but the film’s score was renewed in 1989.

How do you get your music into the hands of music supervisors, those gatekeepers who decide whose music is heard during an episode of “Justified”?

You can find instrumentalists for a cheaper rate if you find music students at your local university.

It’s a bit funny when someone temps with the awesomeness that is John Williams, because no one can ever live up to that.

Below you’ll find two sample copyright assignments: 1) a basic all-purpose assignment; and 2) an assignment specifically for musicians playing on recordings.