Self-publishing

Billy McCall interviews Charissa Lucille about closing, then reopening Wasted Ink Zine Distro: “I have emotional whiplash from feeling so down — and then feeling so extremely excited and hopeful. So many community members stepped in and helped.”

Southwestness publisher/editor Samatha Anne Carrillo shares the worldview and inspirations that drive her work: “In the real world, facts exist and science is real. … Since Southwestness is my own site, I have the freedom to report on our corner of the world based on my own perception of the world. There’s no question that this perception is still evolving and thank goodness for that!”

Eva Avenue plays music by musicians who had shows canceled due to COVID19 concerns. See artists’ links below, in the order they appeared, to find out more!

Hey arts-loving friends! Albuquerque’s Arts Hub is raising funds for artists impacted by the pandemic. Donate at their Facebook page or at their website at http://www.abqartshub.com/relief

Eva Avenue shares more songs from bands who’ve had to COVID-cancel shows or tours. If you like what you hear, go to their page and support an artist today! Titles and links below.

Host Peri Pakroo talks with Billy McCall about his new book, Four-Year Depression, shitshow politics, and using art to build new concepts and new realities.

John Fugelsang is in Albuquerque to perform “Unpresidented: The true story of a comedian trying to raise a toddler while his country was electing one” and we were lucky enough to get him into the Pyragraph LIVE studio (a.k.a. my office) to talk about comedy, politics, religion, and how he’s pulled all those elements and more into his unique creative career. 

Zine fests make small cracks in the foundation of authoritarian, nationalist, dictatorial power that hides under progress of the digital age.

Musicians and the music they create are critical to halting further attacks on net neutrality. When net neutrality protections were at risk of being destroyed in the past, musicians came out in large numbers during a multi-year campaign to save it. And we are needed this time around too.

I believe that a greatly modified public domain work would be a new work and therefore copyrightable, right? I couldn’t be sued for modifying my own writing, could I? What are my rights in this case?

Guest Blogger Maggie Vail: “Musicians are leaders. Music has been at the forefront of every massive cultural movement from civil rights to feminism to anti war movements.”

Mainly what I’d say to my friend is this: Imagine a world where there is a free beer tap on every corner. If you want to make a living selling beer, how can you succeed? One inescapable part of the answer, it seems to me, is that you end up giving away a LOT of beer.

Although registration is not mandatory, it is strongly recommended. Anyone who owns all or part of the rights that make up a work’s copyright may register that work.

I have used these fonts extensively for my consulting work to produce reports, many of which are available as PDFs (with font embedded) online. I recently read that I may need to pay for the rights to these fonts.

I recently changed career paths and am now studying graphic art and am wondering if I could publish and sell the book as opposed to just keeping it for personal use.

I draw comics. I make books. I’m doing what I’ve wanted to do since I was a kid. No, I didn’t “arrive.” There was no “big break.” It was more of a slow gradual climb up a steep hill that’s just starting to level out.